Postcards from Paris
But luckily, we found another spot for it, which worked even better: Over the living room sofa.
But how else could we get it home? And how wonderful they look, once we got them there.
Tata,
Huff Harrington Fine Art, Ltd.
Postcards from Paris
But luckily, we found another spot for it, which worked even better: Over the living room sofa.
But how else could we get it home? And how wonderful they look, once we got them there.
Tata,
The Paris Apartment, Part XI
Remember a long, long time ago … one of the Huffingtons mentioned she’d found the perfect apartment in Paris, and she even blogged about it? She called it Heaven in the 7th, and dreamed about spending Christmas there with her family.
That naive but happy Huffington was me. And although the apartment needed a new kitchen, and an extra bathroom, and the bedrooms had to be reconfigured, and all the systems had to be renovated and upgraded, I was assured that it was a quick and easy project and told it would take a “good month,” as in the French, “un bon mois.” It actually went from “un bon mois” to “deux mois” to “quatre mois to “huit mois” to, well, let’s just say I could have birthed this renovation and it would have gone faster!
But never mind. It’s almost done … and we are at the fun part. Now looking back, I’ll share a few stories along the way, to finish the saga of the Paris Apartment.
First off, there was the tough decision about moving the kitchen. The problem was that it was located in the wrong part of the apartment – in the back, miles away from the dining area (as is typical of most Haussmann style apartments). But did it make sense to have a kitchen with a view like this?
When in the front of the building, the view was like this?
Once we made the decision to move it, we realized that the practically brand new kitchen in the apartment could not be reconfigured to work in the new space … a blessing in disguise for me since I really didn’t like the existing kitchen, even if it was brand new. After all, did I really want a kitchen like this?
When I’d been secretly dreaming of something like this?
Luckily, it turns out that we found someone who needed a new kitchen, and our contractor agreed to take it out for free if he could give it to this elderly person – and keep one of the elements for himself. Huge relief!
I wanted a kitchen that was cozy and elegant, and looked as though it had been in the apartment for years. Ironically, I wanted what we Americans call a French style kitchen. But ironically, French style is actually very hard to find in Paris, where tastes run to super modern, high gloss contemporary.
After looking at hundreds of kitchen designs and despairing that none of them had what I wanted, I stumbled upon a small kitchen design store in the northern part of the Marais, and immediately knew I’d found my match.
Luckily for me, the owner was in and I quickly explained what I was looking for. I had a rough idea of the dimensions and so he sat down, with pencil in hand, and literally sketched out a drawing that was completely perfect.
We talked a little more, and decided to expand the kitchen to the whole room, and so he added on another section.
I approved it on the spot, and with a brief discussion of finances and a solid handshake, we agreed to have him build the kitchen.
My contractor prepped the room for the kitchen installation, and for an eternity, I waited patiently while the “kitchen” looked like this:
Meanwhile, the kitchen designer was less than communicative, and many months passed before I heard from him. I persistently phoned or emailed but I kept hearing the same chorus: Soon! It’s almost ready!
And then one day my contractor called and said, “Your kitchen has been delivered!” I was so thrilled at long last that I hopped on the next flight and could barely contain my excitement. But somehow “delivered” hadn’t meant “installed,” and this was what I found when I arrived in Paris that morning!
On my next visit, the kitchen hadn’t improved much more, but at least I could see the color – which, by the way, was not what I’d ordered – but I’ve learned to like it just the same!
The big excitement was when the mirror was delivered, and I proudly posed in front of it:
But when it came to hanging it over the mantel, it didn’t fit! I had carefully measured for the mirror's installation but hadn’t taken the kitchen cabinet molding into consideration, and my gorgeous piece de resistance was just a 1/2 inch too wide on either side. But no worries, I had another mirror that I’d bought for one of the bedrooms, and in a game of musical mirrors, we managed to find just the perfect solution:
The kitchen is now almost finished and I am the happiest camper. We didn’t get in for Christmas … or Valentine’s day … or Easter or Mother’s Day. But as spring turns to summer, and the sun sets at 10:38 p.m. in Paris, I’ll forget about the long months, the delays, the overruns and the costly mistakes and will be drinking up the last rays of sunlight, in my kitchen with a view, ever thankful for a dream come true.
Do you want to see more of the finished apartment?
Stay tuned …
Tata,
AH
This is a sad little story with a happy ending.
Quite a while ago, when the idea of owning a Paris apartment was just the germ of a dream, we received the most gorgeous painting at the gallery by Nancy Franke, called Study of Clementine. As we unveiled it and gasped our collective “Ooooh’s”, I announced confidently to everyone present that if I ever owned a Paris apartment, this would be my very first purchase. I crossed my fingers that it wouldn’t sell, and I pursued my dream of finding the perfect apartment. Meg even went so far as to put a hold sticker on Clementine, during my lengthy negotiation process with Parisian “notaires.”
Interestingly, Clementine got a lot of attention and everyone loved the painting. It even spurred on several other commissions for Nancy Franke, including this beauty below.
But nobody bought Clementine, and I felt comfortably assured that at the right time, this beautiful painting would be mine. I calmly and confidently waited for it to be the elegant star of my future Parisian pied-a-terre.
And then a terrible thing happened. The hold sign mysteriously came off, and a lovely client (who had actually eyed the painting for over a year, it turns out), came in and bought it. Clementine was gone and although I put up a good face, I was completely devastated.
It took me weeks to get over the loss and I still think about Clementine, happy that I got to enjoy her for those many months at the gallery. And I know she’s in a happy home. But the funny thing is, I let it happen again!
A few weeks after Clementine left the gallery, Nancy Franke brought in a little study of a French girl called “La Jeune Fille.” We all uttered the same collective gasp and everyone said to me, “OK – here’s your new Clementine.” Although I loved the painting, the apartment wasn’t mine yet, and I didn’t want to jinx it, so I took my chances and waited – just a little too long. And once again there were tears of sorrow and disbelief among my co-workers that I could have let two paintings slip by uncontrollably.
Then something wonderful and unexpected happened. We Huffingtons decided to blog about our favorite little paintings in the gallery, and I selected a small jewel by Nancy Franke, called “In the Spotlight.” I loved it from the minute it arrived at the gallery – partially because of the translucence of the colors and partially because it reminds me of my husband and me, and so I enthusiastically blogged about it.
And then Nancy did something extraordinarily generous and totally unexpected: She gave it to me! This was just around the time that we actually did sign the papers on the apartment. So with infinite gratitude, I accepted the painting and the sign that this little jewel would be the cornerstone of the Paris apartment.
We love it when art sets the tone for interior design, instead of the other way around. So it was quite natural for this painting, “In the Spotlight” to be the inspiration for the colors in Paris, as you can see in the sneak peek at one of our bedrooms. And it’s no coincidence that the painting actually works beautifully in every single room! As we say at the gallery, when you collect what you love, it all works together.
I was a grateful and happy camper and going to leave it at that. And then my daughter, just about to graduate from high school, told me one day that she loved the photo of herself holding a flower that I’ve had on my bedside table. It's a photo that was taken when she was five years old and it's always been a favorite. I've watched my daughter come in to the room, pick up the photo, and look at it wistfully. So something occurred to me: Wouldn’t it be the best graduation present ever to have a this picture painted by Nancy Franke? After losing Clementine and “Jeune Fille,” it was undeniable that I still wanted my own beautiful, elusive Nancy Franke figure. And so I commissioned it. And held my breath ...
Imagine the collective gasp when this gorgeous, thoughtful, luminous and sweet painting arrived at the gallery! I couldn't be happier. My daughter hasn’t seen it yet, and I'm carefully planning the perfect time to give it to her. Of course there may be one little catch …
It’s yours, darling, but can it please go to Paris? You can visit it any time!
Ta ta,
AH
PS Many thanks to Nancy Franke, whose work inspires the collective gasp in us every day! And I'm only kidding (sort of) about stealing the painting back from my daughter.
Sizzle. Sizzle. Melt.
That’s what it feels like in Atlanta and much of the South these days. Anyone who is smart (or has a lake/beach house) has fled the city for a cool respite, and we wish we were with them!
If you can’t get to the water, we’ll help bring the water to you. Some beautiful new works by artist Doug Foltz just arrived at the gallery, and they’re the next best thing to being near the beach. You want to dive right into his cool, refreshing seascapes. I can almost feel a soft breeze as I stand in front of the lovely Haven…
Doug is a master of finishing his compositions just enough to get the wheels turning in your head. He leaves room to breathe, come up with your own stories and assumptions about the scene. He’s interested in showing the relationship between the horizon and the water – in Haven it’s a more equitable relationship, whereas in some of his other pieces, the horizon is more dominant.
Doug has incorporated warmer tones and more detailed foregrounds into his newer work, as seen below in Breakfast in Darien, and also to some degree in Haven. The sunny yellow marsh grass contrasts with the ominous sky, yet the feeling evoked is fresh and clean – like the way the air feels right after a good summer storm. I like to think that those storm clouds are moving on out and a lovely, cooler (i.e. less humid) afternoon is about to unfold before me.
Where are you heading this summer to escape the heat? We always have the air cranked down in the gallery so feel free to come cool your heels here while you’re running errands around town!
Tata!
Sarah