
Svetlana Shalygina, Shy
Here at the gallery, it’s usually love at first sight when we find a new artist we’re excited about. After the initial period of courtship, we’re all so excited to receive the first box of precious cargo. It’s like Christmas morning! So many delights to feast our eyes upon, and it can be hard to pick a favorite from among the bunch.
The most recent box from Svetlana Shalygina was no exception. Her work has an organic appeal that is elegant in its simplicity. The elongated figures have a tribal quality to them, yet they also represent the “common man” – they could be anyone. Without a doubt her work is very contemporary, but I think it appeals to the viewer on a personal level. One of the main criticisms of contemporary art is that it can be cold and impersonal, but Svetlana demonstrates this is not always the case.
The work Shy, in particular, struck a chord with me. It reminds me of children on a playground and how they (and all people) tend to form groups and crave acceptance. The main figure in the foreground seems isolated and somewhat timid, perhaps longing to join the group in the background but not quite sure how to make the first move. The strong horizontal element in the painting gives the viewer a sense of perspective and further divides the lone figure from the others. The texture on the canvas adds visual interest to the piece and brings the piece alive off the canvas and out into the viewer’s space.
Everyone can relate to this work. We’ve all had an experience where we were the “new one” in town/school/work and felt the uncertainty and trepidation that comes with being placed in that position. How we all wished that someone from the background, someone who is already a member of the group, would step up and be our friend.
There is so much I take away from the painting. The main thing is, we’re all alone at some point in time…and that’s ok. It too will pass. Fear of reaching out and making personal connections can inhibit us if we let it. Instead, we should strive onward, boldly and confidently, and make the first move. I like to think that if this work were part of a series, in the next painting, the figure in the foreground of this painting would turn around and walk back towards the group. Make an introduction. Find friends. Connect. There is also a sense of responsibility that comes with already being an accepted member of a group. Newcomers should be welcomed and celebrated. It’s much easier to turn away than to make an effort to include someone you don’t know. The start of the new school year is a great time to reflect on this!
Tata!
Sarah
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